Why remix rap genius

Stream the full pre-rolled playlist on Spotify and Tidal! Smoke along with Dr. Smoke along with Motorbreath. Smoke along with Sour Diesel. Smoke along with Skins Skunk. Smoke along with Stinky Pinky. Smoke along with Chocolate Thai. Smoke along with Member Berry. Smoke along with Gas Face. Smoke along with Kryptonite. Smoke along with Bubba Kush. Smoke along with Pink Rozay. Smoke along with Purple Haze.

Smoke along with Keisha. At the turn of the s, Kendrick was part of a new wave of rappers that were using free online mixtapes to create a thriving rap underground that eventually overthrew the then-stale rap mainstream.

Kendrick eventually blew up, while Smoke DZA remained an underground staple, but in , they were on an equal playing field, and collaborations like this one and that same year's "Ball Game" capture the refreshing vibe of that era perfectly. Both rappers are great on this song, but Kendrick brings the track to another level, showing off an early example of his ability to take his guest verses into unexpected, mind-bending territory.

Just a few months before putting out his official debut album Dreams and Nightmares , Meek Mill put out the second mixtape in his Dreamchasers series, and Kendrick jumped on its track "A1 Everything. He doesn't try to turn the song into something it's not; he's chill and melodic, and he sounds as unique and impactful doing this as he does when he's on a proper rap song.

Busta Rhymes had a bit of a resurgence after featuring prominently on the A Tribe Called Quest reunion album, and Busta kept the momentum going in with Extinction Level Event 2: The Wrath of God , the sequel to his album and his first album in over a decade.

In it, Kendrick reflects on writing his first bars, and he asserts himself as the leader of rap's new generation, a claim that was inarguable by , and reinforced by the power of his delivery on this track. He sounds relaxed, but his words come out like rapidfire. YG's delivery is as brash and catchy as it is on his biggest hits, but Kendrick changes up the vibe with multisyllabic rhymes that turn "smokin' and drinkin'" from a party to paranoia.

Kendrick helped revitalize jazz-rap on a mass scale with his album To Pimp A Butterfly , but three years before that, he collaborated with Nitty Scott, a rapper who was keeping jazz-rap alive in the Brooklyn underground. Nitty's subdued delivery is almost in spoken word territory, and then Kendrick comes in twice: first with the kind of half-sung, half-rapped hook that he eventually won the world over with, and then again with a deadly verse that gives the song a much harder edge.

Both rappers sound great, and Kendrick's verse is full of quotable one-liners that stick in your head a decade later. At this point in Jay's career, he was still embracing a more mid s rap vibe, but a fresh-faced Kendrick Lamar hopped on the track with something much different in mind.

He was a little weirder, a little wordier, and he clearly had his sights set on bigger things. He called himself "the gift for the future" and he dropped a phrase that would eventually become the title of his massive breakthrough: "good kid, mad city. The late Fredo Santana made crucial contributions to the early Chicago drill scene alongside his cousin Chief Keef , but on this song, Kendrick stole the spotlight.

The beat drops out, Kendrick comes in with an airy, melodic flow "I'm drunk right now" , beat comes back in, and Kendrick just destroys the song, with enough suspense, drama, flow changes, and sound effects to fill half an album. He presumably recorded this around the same time he was working on good kid, m. He sounds like a million bucks, and he piles on fast-paced, inner-line rhymes without ever losing his footing. Included as a bonus track on Control System was one of the most iconic posse cuts from the full Black Hippy crew, a remix of Ab-Soul's non-album single "Black Lip Bastard" that opens with one of Kendrick's most memorable verses.

He's got the determination and the confidence of a guy who knows the entire world is about to be paying attention to him, and just a few months later, that would very much be the case. Bass wizard Thundercat was one of the many musicians who contributed to Kendrick's jazz-rap odyssey To Pimp A Butterfly , and two years later Kendrick returned the favor by appearing on "Walk On By" off Thundercat's Drunk.

It's a jazz-infused neo-soul song, and Kendrick comes in with a verse that's pensive and intricate and fits in snugly with Thundercat's instrumental. It's as warm and lush as anything on TPAB. Vince Staples proved to be a kindred spirit to Kendrick Lamar with his proper debut album Summertime ' Like good kid, m. There is a live leaderboard [30] that ranks the users with the most IQ points.

In August , Rap Genius launched the Rap Map [13] , which uses Google Maps to pinpoint notable places and landmarks from rap and hip hop songs in a number of cities including New York City, Houston, New Orleans, Detroit and Miami, linking back to the lyrics in question. In March , Rap Genius began offering Verified Accounts to artists who wanted to annotate their own lyrics.

The first Verified Account was given to the rapper Nas [31] shown below , who has gone on to earn 10, Rap IQ from making annotations and suggestions on his own work as well as lyrics by other artists including Salaam Remi, Rick Ross and No I. In January , Verified Accounts were expanded to authors, poets and memoirists. Quantcast [34] reports Rap Genius attracting more than 6. Ask Rap Genius.

Rap Genius [1] is a lyrics site that crowdsources annotations including interpretations and references. Annotations can be suggested by any registered user as well as a number of verified artists [2] including 50 Cent , Nas , Mac Miller and Watsky. Since its launch in , the site has expanded to include section for rock lyrics, poetry and news. Show Comments. Before he was arrested in December , Chief Keef was a year-old budding rap star.

He also had a dedicated Twitter following among Chicago high school students. Yet he was almost completely unknown outside of Chicago. Nevertheless, the verses written and hastily disseminated on social media by Chief Keef and his peers were fast becoming a unique sort of news ticker for low-income communities of color in Chicago, detailing the turf wars, rivalries and hassles of everyday life as a Black kid growing up in the city.

The songs became known as drill music , a genre characterized by its dark synths, booming drums, seemingly off-beat, mumbled verses and war-cry choral chants.

Eventually, the national press caught on. The coverage was often less than flattering.