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Anton Gumilar. Sayan Medya. Nurulhuda Azhari. Dipankar Banerjee. RAM energtic. ISG Aix. Ovie Nur Faizah. Amaan Alvi. Wahid zada Khan. Oscar Sirias. It is in these spaces that the unseen is given life and made known. The poetry of a painting, of passages of music or verse, or the glimpse of a dog through the widow of a moving car, are phenomena to which Lilar was equally present and valued equally as belonging to the same category.

More, she asks what are the ramifications of these interrogations between viewer and artifact and artist? The first part of her article succinctly delineates some fundamental issues having to do with adaptation and productively links Man Ray's not immediately transparent use in his paintings of Shakespeare and of math to the surrealist notion of randomness.

The second part of the essay provides revealing and nuanced interpretations of three of Man Rays's paintings from Shakespear's Equations --"King Lear," "A Midsummer Night's Dream, and "Hamlet" whereby the author problematizes the notion of randomness, positing it as a "dialectical poetics [of] opposing poles" that "breed both a new form of knowledge [ Heine settled in Paris for the rest of his life and earned his living as a foreign correspondent for the Cotta House, whose publications included Allgemeine Zeitung, the leading political journal in Germany.

Heine became a major contributor: he wrote on music, paintings, on the French way of life. In spite of the promises of the Charter which endorsed republican values, press censorship was in force in Paris, as it was in Prussia, and by extension, the rest of Germany. Heine needed to avoid strictures from both countries, even as he communicated what was and where he in fact stood. The project of the satiric magazines La Caricature and Le Charivari was to reclaim the promises of democratic rights and values that the Revolution, led by Lafayette, made to the Republicans.

Expatriated in Paris, Heine was devoted to those ideals and, under the guise of a disinterested critical observer, was in fact smuggling and disseminating the satires of these publications to Germany in broad daylight. An album of twelve lithographs by various artists and necessarily different all share in common the use of light as an indicator of truth.

Holy Cross Maurice A. He has published widely on 18th, 19th and 20th century English, American and French authors and artists including: J. Dryden, D. Defoe, J. Swift, T.